REVIEW: “Minions & Monsters” (2026)
(Source: IMDb ) The yellow, pill-shaped henchmen of supervillain-turned-super-spy dad Gru from Illumination’s ever-popular Despicable Me series have arguably become more iconic than their costars from that same series. So much so, that they’ve not only been the mascots of Chris Meladandri’s CGI company (based in France). They’ve had three standalone movies up to this point. Their solo debut in 2015 traced their origins from the dawn of time to the 1960s, while their 2022 follow-up chronicled their early days with a much-younger Gru, when the latter wanted to be part of a league of supervillains. With this year’s Minions & Monsters , the setting takes place in 1920s Hollywood, as the little guys not only keep looking for a dastardly master to serve (a carry-over from their first flick), but also (quite accidentally) break out into the film industry, including the transition between silent pictures and talkies, and black-and-white to color. It sort of retcons their backsto...